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As Arnold points out, there is an otherwise inexplicable shift in direction in the Piccadilly line passing east out of South Kensington. “In fact,” she writes, “the tunnel curves between Knightsbridge and South Kensington stations because it was impossible to drill through the mass of skeletal remains buried in Hyde Park.” I will admit that I think she means “between Knightsbridge and Hyde Park Corner”—although there is apparently a “small plague pit dating from around 1664” beneath Knightsbridge Green—but I will defer to Arnold’s research.

But to put that another way, the ground was so solidly packed with the interlocked skeletons of 17th-century victims of the Great Plague that the Tube’s 19th-century excavation teams couldn’t even hack their way through them all. The Tube thus had to swerve to the side along a subterranean detour in order to avoid this huge congested knot of skulls, ribs, legs, and arms tangled in the soil—an artificial geology made of people, caught in the throat of greater London.

seanhowe:

The Man Who Colored The Marvel Universe:

Stan Goldberg (1932-2014)

Marvel colorist Stan Goldberg, who created the color schemes of the costumes of Spider-Man, the Fantastic Four, and dozens of others, died yesterday, at the age of 82. Mark Evanier has more information here.


I wrote briefly, in Marvel Comics: The Untold Story, about two of Stan’s contributions to the Marvel mythos.

On The Fantastic Four:

And although they remained unmasked (in another break from comic-book convention, they were going to keep their identities public), at the urging of letter-writing fans they soon had snappy blue uniforms. “Jack gave them this long underwear with the letter ‘4’ on their chest,” said Stan Goldberg, who designed the color schemes of the Marvel comics. “I made the ‘4’ blue and kept a little area around it white, and then when the villains came in—the villains get the burnt umbers, dark greens, purples, grays, things like that—they can bounce off it.” The blast of colorful heroics against a murky background world immediately set Fantastic Four apart from everything else on the newsstand.

On Spider-Man:

The grand melodrama was offset by Lee’s snappy patter, Ditko’s stunning costume design, and, once again, the primary-color palette choices of Stan Goldberg, who selected for Spider-Man’s costume a combination of cherry red and dark cobalt (in deliberate contrast to the more vivacious azure of the Fantastic Four).

____

Goldberg also drew non-superhero comics for Marvel in its Timely incarnation, and was the longtime artist for Marvel’s Millie the Model series. In the late 1960s he began drawing for various series published by Archie Comics.

jasonlatour:

Happy Birthday, Jack Kirby! Thanks for all the inspiration. 

Framed my ‘You’ll be safe here.’ print by Dean Trippe from ‘Something Terrible’ #cacollection

Framed my ‘You’ll be safe here.’ print by Dean Trippe from ‘Something Terrible’ #cacollection

Framed my Godzilla print by Chris Garofalo #cacollection

Framed my Godzilla print by Chris Garofalo #cacollection

highlyfunctioning-fangirl:

starfleetrambo:

xshiromorix:

capt-james-t-kirk:

supernaturalfan1:

underthestarssofaraway:


I like how everyone seems like they’re dead tired and Thor’s just there going'om nom nom this is a shawarma nom nom nom'

Notice how Clint and Natasha seemed to have appropriated half of each others’ chairs.

and I think Tony is just realizing that he literally died and was scared back to life by the man to his left

and steve, being the senior citizen, is simply nodding off

Also, the dude behind the counter just nonchalantly making shawarma for the goddamn Avengers like they come in every day.

#meanwhile loki is outside tied to the bike rack with mjolnir on his chest

I’ve reblogged this about five times already and I dont plan on stopping

highlyfunctioning-fangirl:

starfleetrambo:

xshiromorix:

capt-james-t-kirk:

supernaturalfan1:

underthestarssofaraway:

I like how everyone seems like they’re dead tired and Thor’s just there going
'om nom nom this is a shawarma nom nom nom'

Notice how Clint and Natasha seemed to have appropriated half of each others’ chairs.

and I think Tony is just realizing that he literally died and was scared back to life by the man to his left

and steve, being the senior citizen, is simply nodding off

Also, the dude behind the counter just nonchalantly making shawarma for the goddamn Avengers like they come in every day.

#meanwhile loki is outside tied to the bike rack with mjolnir on his chest

I’ve reblogged this about five times already and I dont plan on stopping

(Source: captainmatsuoka, via zohbugg)

brianmichaelbendis:

Covers for Shaolin Cowboy #1, by Geof Darrow and Walt Simonson.

(Source: megavikingman)

As Arnold points out, there is an otherwise inexplicable shift in direction in the Piccadilly line passing east out of South Kensington. “In fact,” she writes, “the tunnel curves between Knightsbridge and South Kensington stations because it was impossible to drill through the mass of skeletal remains buried in Hyde Park.” I will admit that I think she means “between Knightsbridge and Hyde Park Corner”—although there is apparently a “small plague pit dating from around 1664” beneath Knightsbridge Green—but I will defer to Arnold’s research.

But to put that another way, the ground was so solidly packed with the interlocked skeletons of 17th-century victims of the Great Plague that the Tube’s 19th-century excavation teams couldn’t even hack their way through them all. The Tube thus had to swerve to the side along a subterranean detour in order to avoid this huge congested knot of skulls, ribs, legs, and arms tangled in the soil—an artificial geology made of people, caught in the throat of greater London.

seanhowe:

The Man Who Colored The Marvel Universe:

Stan Goldberg (1932-2014)

Marvel colorist Stan Goldberg, who created the color schemes of the costumes of Spider-Man, the Fantastic Four, and dozens of others, died yesterday, at the age of 82. Mark Evanier has more information here.


I wrote briefly, in Marvel Comics: The Untold Story, about two of Stan’s contributions to the Marvel mythos.

On The Fantastic Four:

And although they remained unmasked (in another break from comic-book convention, they were going to keep their identities public), at the urging of letter-writing fans they soon had snappy blue uniforms. “Jack gave them this long underwear with the letter ‘4’ on their chest,” said Stan Goldberg, who designed the color schemes of the Marvel comics. “I made the ‘4’ blue and kept a little area around it white, and then when the villains came in—the villains get the burnt umbers, dark greens, purples, grays, things like that—they can bounce off it.” The blast of colorful heroics against a murky background world immediately set Fantastic Four apart from everything else on the newsstand.

On Spider-Man:

The grand melodrama was offset by Lee’s snappy patter, Ditko’s stunning costume design, and, once again, the primary-color palette choices of Stan Goldberg, who selected for Spider-Man’s costume a combination of cherry red and dark cobalt (in deliberate contrast to the more vivacious azure of the Fantastic Four).

____

Goldberg also drew non-superhero comics for Marvel in its Timely incarnation, and was the longtime artist for Marvel’s Millie the Model series. In the late 1960s he began drawing for various series published by Archie Comics.

brianmichaelbendis:

Supergirl Vs Cyborg Superman by Mahmud Asrar

brianmichaelbendis:

Supergirl Vs Cyborg Superman by Mahmud Asrar

jasonlatour:

Happy Birthday, Jack Kirby! Thanks for all the inspiration. 

Framed my ‘You’ll be safe here.’ print by Dean Trippe from ‘Something Terrible’ #cacollection

Framed my ‘You’ll be safe here.’ print by Dean Trippe from ‘Something Terrible’ #cacollection

Framed my Godzilla print by Chris Garofalo #cacollection

Framed my Godzilla print by Chris Garofalo #cacollection

highlyfunctioning-fangirl:

starfleetrambo:

xshiromorix:

capt-james-t-kirk:

supernaturalfan1:

underthestarssofaraway:


I like how everyone seems like they’re dead tired and Thor’s just there going'om nom nom this is a shawarma nom nom nom'

Notice how Clint and Natasha seemed to have appropriated half of each others’ chairs.

and I think Tony is just realizing that he literally died and was scared back to life by the man to his left

and steve, being the senior citizen, is simply nodding off

Also, the dude behind the counter just nonchalantly making shawarma for the goddamn Avengers like they come in every day.

#meanwhile loki is outside tied to the bike rack with mjolnir on his chest

I’ve reblogged this about five times already and I dont plan on stopping

highlyfunctioning-fangirl:

starfleetrambo:

xshiromorix:

capt-james-t-kirk:

supernaturalfan1:

underthestarssofaraway:

I like how everyone seems like they’re dead tired and Thor’s just there going
'om nom nom this is a shawarma nom nom nom'

Notice how Clint and Natasha seemed to have appropriated half of each others’ chairs.

and I think Tony is just realizing that he literally died and was scared back to life by the man to his left

and steve, being the senior citizen, is simply nodding off

Also, the dude behind the counter just nonchalantly making shawarma for the goddamn Avengers like they come in every day.

#meanwhile loki is outside tied to the bike rack with mjolnir on his chest

I’ve reblogged this about five times already and I dont plan on stopping

(Source: captainmatsuoka, via zohbugg)

brianmichaelbendis:

Covers for Shaolin Cowboy #1, by Geof Darrow and Walt Simonson.

(Source: megavikingman)

spaceshiprocket:

God by Jack Kirby

(Source: fredschroeder, via comics-tillyoubleed)

"As Arnold points out, there is an otherwise inexplicable shift in direction in the Piccadilly line passing east out of South Kensington. “In fact,” she writes, “the tunnel curves between Knightsbridge and South Kensington stations because it was impossible to drill through the mass of skeletal remains buried in Hyde Park.” I will admit that I think she means “between Knightsbridge and Hyde Park Corner”—although there is apparently a “small plague pit dating from around 1664” beneath Knightsbridge Green—but I will defer to Arnold’s research.

But to put that another way, the ground was so solidly packed with the interlocked skeletons of 17th-century victims of the Great Plague that the Tube’s 19th-century excavation teams couldn’t even hack their way through them all. The Tube thus had to swerve to the side along a subterranean detour in order to avoid this huge congested knot of skulls, ribs, legs, and arms tangled in the soil—an artificial geology made of people, caught in the throat of greater London."

About:

This is a song about a superhero named Tony

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